CV
EDUCATION
2007
MFA, New Genres
San Francisco Art Institute, San Francisco, CA
San Francisco Art Institute, San Francisco, CA
2004
BFA, Sculpture + Extended Media
Virginia Commonwealth University, Richmond, VA
Virginia Commonwealth University, Richmond, VA
1998-99
Music Performance
San Francisco Conservatory of Music, San Francisco, CA
San Francisco Conservatory of Music, San Francisco, CA
ACADEMIC APPOINTMENTS
2018-present
Assistant Professor, University of Washington
School of Art + Art History + Design, Seattle, WA
School of Art + Art History + Design, Seattle, WA
2018
Lecturer, University of California, Berkeley
Art Practice Department, Berkeley, CA
Art Practice Department, Berkeley, CA
2014-17
Lecturer (full-time), Stanford University
Stanford Arts Institute, Stanford, CA
Stanford Arts Institute, Stanford, CA
2010-18
Lecturer, San Francisco Art Institute
New Genres, Critical Studies & Graduate programs, San Francisco, CA
New Genres, Critical Studies & Graduate programs, San Francisco, CA
2013-15
Adjunct Professor, University of San Francisco
Department of Art + Architecture, San Francisco, CA
Department of Art + Architecture, San Francisco, CA
2012
Adjunct Professor, Sonoma State University
Art & Art History Department, Sonoma, CA
Art & Art History Department, Sonoma, CA
2009-14
Lecturer, Saint Mary’s College of California
Art Practice, Moraga, CA
Art Practice, Moraga, CA
2009
Visiting Lecturer, University of the Pacific
Department of Art, Media, Performance & Design, Stockton, CA
Department of Art, Media, Performance & Design, Stockton, CA
ADMINISTRATIVE POSITIONS
2021-present
Chair, Interdisciplinary Visual Art
University of Washington, Seattle, WA
University of Washington, Seattle, WA
2020-21
Co-Chair, Interdisciplinary Visual Art
University of Washington, Seattle, WA
University of Washington, Seattle, WA
2014-17
Program Leader, Honors in the Arts
Stanford Arts Institute, Stanford, CA
Stanford Arts Institute, Stanford, CA
SOLO PROJECTS & EXHIBITIONS
2024
Black Cube Nomadic Art Museum (upcoming). Curated by Cortney Lane Stell
2022
Before the Wax Melts, UNTITLED Art: Monuments, Miami Beach, FL. Curated by Omar López-Chahoud
2020
The Siren, Catharine Clark Gallery, Media Room, San Francisco, CA
Forbidden Illusions, LightSource, San Francisco, CA
Forbidden Illusions, LightSource, San Francisco, CA
2019
Sirens, Silencers, Mufflers and Mutes, Bass & Reiner, San Francisco, CA
2017
Tools & Implements, de Young Museum, San Francisco, CA
After The Fall, Bass & Reiner, San Francisco, CA
After The Fall, Bass & Reiner, San Francisco, CA
2016
A Matter of Perspective, The Neon Museum, Las Vegas, NV
Sirens, Auxiliary Projects, Brooklyn, NY. Organized by Jennifer Dalton and Jennifer McCoy
Sirens, Auxiliary Projects, Brooklyn, NY. Organized by Jennifer Dalton and Jennifer McCoy
2014
Searching for Diogenes, Yerba Buena Center for the Arts, San Francisco, CA. Curated by Bean Gilsdorf
You Get What You Get, Sediment Arts, Richmond, VA
You Get What You Get, Sediment Arts, Richmond, VA
2012
Involuntary Sculptures, Steven Wolf Fine Arts, San Francisco, CA
2010
Doug (Event Recorders), Patricia Sweetow Gallery, San Francisco, CA
PUBLIC ART
2021
Point of View, bus bench billboard series, Miami-Dade Country, FL
WINE DARK SEE, Burke Gilman Trail, Seattle, WA
Commissioned by the Office of Arts & Culture/Seattle Public Utilities
WINE DARK SEE, Burke Gilman Trail, Seattle, WA
Commissioned by the Office of Arts & Culture/Seattle Public Utilities
2018
Not Seeing is a Flower, San Diego International Airport, San Diego, CA
2012
Timing is Everything, City Hall lobby, Reno, NV
Commissioned by the City of Reno Arts & Culture Commission
Commissioned by the City of Reno Arts & Culture Commission
SELECTED COLLABORATIVE PROJECTS
2023
HOLD, Freeway Park, Seattle, WA. Site-responsive performance with Gary Champi, Chari Glogovac-Smith, and Till the Teeth (Sandesh Nagaraj and Jonathan Rodriguez). Commissioned by the Downtown Seattle Association / Metropolitan Improvement District and City of Seattle Office of Arts & Culture. Collaborator role: lead organizer
Time Kills, Jack Straw New Media Gallery, Seattle, WA. Video installation with sound by Till the Teeth (Sandesh Nagaraj and Jonathan Rodriguez) and additional performance contributions by Barry Olusegun-Noble Despenza, Tiffany-Ashton Gatsby, Swaleha Masude, and Sarah Torres. Collaborator role: lead artist
Remember You Must ____, Jack Straw Cultural Center, Seattle, WA. Live sound performance with Till the Teeth (Sandesh Nagaraj and Jonathan Rodriguez). Collaborator role: performance visuals
Time Kills, Jack Straw New Media Gallery, Seattle, WA. Video installation with sound by Till the Teeth (Sandesh Nagaraj and Jonathan Rodriguez) and additional performance contributions by Barry Olusegun-Noble Despenza, Tiffany-Ashton Gatsby, Swaleha Masude, and Sarah Torres. Collaborator role: lead artist
Remember You Must ____, Jack Straw Cultural Center, Seattle, WA. Live sound performance with Till the Teeth (Sandesh Nagaraj and Jonathan Rodriguez). Collaborator role: performance visuals
2021
De una experiencia colectiva (From a Collective Experience), Norway Embassy to Cuba in partnership with Estudio Figueroa-Vives, Havana, Cuba. Video co-created with Tony Labat. Screened online and projected on the embassy building facade. Collaborator role: co-creator, editor
2019
Objectos Imposibles, Estudio 8, Havana, Cuba. Multimedia installation co-created with Tony Labat.
Collaborator role: co-creator
Collaborator role: co-creator
2004
Fluff My Pillow, Inns of Virginia, Richmond VA. Performance/installation co-created with Diane Derr and Ryan Mulligan. Organized by Mark Harris. Collaborator role: co-creator
2003
Consumption Carnival, Polkadot Gallery, Richmond, VA. Multimedia installation co-created with PROMO collective. Collaborator role: co-creator
GROUP SCREENINGS & PERFORMANCES
2022
Fotografía en Movimiento, El Espacio 23, Miami, FL. Organized by Juan Carlos Alom
2021
Three Turns Miami, UNTITLED Art: Special Projects, Miami Beach, FL
A Spirit of Disruption, Walter & McBean Galleries, San Francisco, CA. Curated by Margaret Tedesco and Leila Weefur
A Spirit of Disruption, Walter & McBean Galleries, San Francisco, CA. Curated by Margaret Tedesco and Leila Weefur
2020
From the Tower: Transmission, San Francisco Art Institute, San Francisco, CA. Organized by Tony Labat
Remote Access, Catharine Clark Gallery (online video screening)
Remote Access, Catharine Clark Gallery (online video screening)
2018
Mediated: An Urban Projection Event, Indiana State University, Terre Haute, IN
2012
Strange Loop, Armory Center for the Arts, Pasadena, CA. Curated by Alanna Simone
Here, There and Elsewhere: Assembling Communities, SFMOMA, San Francisco, CA. Organized by Helena Producciones at Kadist Art Foundation
Here, There and Elsewhere: Assembling Communities, SFMOMA, San Francisco, CA. Organized by Helena Producciones at Kadist Art Foundation
2011
Apocalypse Screening, San Pablo Arts District (SPAD) Storefront Gallery
in collaboration with di Rosa Center for Contemporary Art, Oakland, CA
in collaboration with di Rosa Center for Contemporary Art, Oakland, CA
SELECTED GROUP EXHIBITIONS
2022
Twenty Year Anniversary, Root Division, San Francisco, CA. Curated by Tavarus Blackmon, Rhiannon Evans MacFadyen and Michelle Mansour
2020
Invincible Summer, Minnesota Street Project, San Francisco, CA. Curated by Julie Casemore
HotHeads, Catharine Clark Gallery, San Francisco, CA
organized by Julie Heffernan
HotHeads, Catharine Clark Gallery, San Francisco, CA
organized by Julie Heffernan
2019
Bahía a Bahía, Centro Bahía, Regla, Cuba (two-person exhibition)
Internet Archive Residency Exhibition, Ever Gold [Projects], San Francisco, CA
Internet Archive Residency Exhibition, Ever Gold [Projects], San Francisco, CA
2018
Dressed, Paul Robeson Gallery, Rutgers University, Newark, NJ. Curated by Caren King Choi and Kristen J. Owens
Neon AIR: Radiant Residents, Nevada Humanities Program Gallery, Las Vegas, NV
Feel and Rhythms, White Columns Online. Curated by Ashton Cooper
Figure of Speech, San Diego International Airport, San Diego, CA
Neon AIR: Radiant Residents, Nevada Humanities Program Gallery, Las Vegas, NV
Feel and Rhythms, White Columns Online. Curated by Ashton Cooper
Figure of Speech, San Diego International Airport, San Diego, CA
2017
Detritus, San Jose Institute of Contemporary Art, San Jose, CA. Curated by Kevin B. Chen, Lisa Ellsworth and Lordy Rodriguez
The Art Book Show, Bass & Reiner, San Francisco, CA
The Original Disruptor, San Francisco Art Institute, San Francisco, CA
The Art Book Show, Bass & Reiner, San Francisco, CA
The Original Disruptor, San Francisco Art Institute, San Francisco, CA
2016
Not Alone, San Francisco Art Commission Gallery, San Francisco, CA. Curated by Meg Shiffler and Jason Hanasik
Bizarre Bazaar, Root Division, San Francisco, CA. Curated by Michael Arcega
Greeks for Greece, University of Illinois Figure One Gallery, Champaign, IL. Curated by Allison Rowe
Bizarre Bazaar, Root Division, San Francisco, CA. Curated by Michael Arcega
Greeks for Greece, University of Illinois Figure One Gallery, Champaign, IL. Curated by Allison Rowe
2015
Play Grounds, RedLine, Denver, CO. Curated by Cortney Lane Stell and Ruth Bruno
Front Yard/Backstreet, Palo Alto Art Center, Palo Alto, CA
Ephemeral Objects, San Diego Art Institute, San Diego, CA. Curated by Andrew Horwitz
The Gold Standard, VCU Depot Gallery, Richmond, VA
Front Yard/Backstreet, Palo Alto Art Center, Palo Alto, CA
Ephemeral Objects, San Diego Art Institute, San Diego, CA. Curated by Andrew Horwitz
The Gold Standard, VCU Depot Gallery, Richmond, VA
2014
Prep School, Torrance Art Museum, Torrance, CA. Curated by Max Presneill and Lisa DeSmidt
5 year Anniversary, Ever Gold Gallery, San Francisco, CA
The Long Conversation, Southern Exposure, San Francisco, CA. Curated by Courtney Fink, Valerie Imus, Gay Outlaw and Chris Sollars
5 year Anniversary, Ever Gold Gallery, San Francisco, CA
The Long Conversation, Southern Exposure, San Francisco, CA. Curated by Courtney Fink, Valerie Imus, Gay Outlaw and Chris Sollars
2013
The Temporary Institute of Emancipated Objects, RMCAD Philip J. Steele Gallery, Denver, CO. Curated by Cortney Lane Stell
See You Next Tuesday, Portland State University, Portland, OR. Curated by Jennifer Locke
Device, CES Contemporary, Laguna Beach, CA
See You Next Tuesday, Portland State University, Portland, OR. Curated by Jennifer Locke
Device, CES Contemporary, Laguna Beach, CA
2012
De-Mobbing, Headlands Center for the Arts, Sausalito, CA. Curated by Brian Karl
10-Year Anniversary, Root Division, San Francisco, CA
10-Year Anniversary, Root Division, San Francisco, CA
2011
Transient, Corcoran Gallery of Art, Washington, DC
God Only Knows Who the Audience Is, Wattis Institute for Contemporary Arts, San Francisco, CA
Negative Space, Steven Wolf Fine Arts, San Francisco, CA
Zombie-Proof House, di Rosa Center for Contemporary Art, Napa, CA. Curated by Robert Wuilfe
God Only Knows Who the Audience Is, Wattis Institute for Contemporary Arts, San Francisco, CA
Negative Space, Steven Wolf Fine Arts, San Francisco, CA
Zombie-Proof House, di Rosa Center for Contemporary Art, Napa, CA. Curated by Robert Wuilfe
2010
Teen Age: You Just Don’t Understand, Catharine Clark Gallery, San Francisco, CA. Curated by Ken Goldberg and Catharine Clark
Golden State, RVCA/VASF Gallery, San Francisco, CA
Print Summit: Survey of Contemporary Printmaking, East Carolina University, Greenville, NC
Golden State, RVCA/VASF Gallery, San Francisco, CA
Print Summit: Survey of Contemporary Printmaking, East Carolina University, Greenville, NC
2009
Bellwether, Southern Exposure, San Francisco, CA
Z-axis, Lobot Gallery, Oakland, CA
curated by Eric Araujo and Ross Campbell
Z-axis, Lobot Gallery, Oakland, CA
curated by Eric Araujo and Ross Campbell
2008
Bellwether, Southern Exposure, San Francisco, CA
Z-axis, Lobot Gallery, Oakland, CA. Curated by Eric Araujo and Ross Campbell
Z-axis, Lobot Gallery, Oakland, CA. Curated by Eric Araujo and Ross Campbell
2007
The Art of Craft/The Craft of Art, CCA Irwin Center, Oakland, CA
The Gun Show, Root Division, San Francisco, CA
Vernissage, Fort Mason, San Francisco, CA
The Gun Show, Root Division, San Francisco, CA
Vernissage, Fort Mason, San Francisco, CA
2006
Terror?, Intersection for the Arts, San Francisco, CA. Curated by Kevin B. Chen
Security, Diego Rivera Gallery, San Francisco, CA
Studio Visit, Exit Art, New York, NY. Curated by Papo Colo and Jeanette Ingberman
Security, Diego Rivera Gallery, San Francisco, CA
Studio Visit, Exit Art, New York, NY. Curated by Papo Colo and Jeanette Ingberman
2004
The Presidency, Exit Art, New York, NY. Curated by Papo Colo and Jeanette Ingberman
On Message: Art for our Time, Plant Zero, Richmond, VA. Curated by Alyssa Salomon
Pulse 2004, 1708 Gallery, Richmond, VA. Curated by Peter Baldes and Kristin Beale
On Message: Art for our Time, Plant Zero, Richmond, VA. Curated by Alyssa Salomon
Pulse 2004, 1708 Gallery, Richmond, VA. Curated by Peter Baldes and Kristin Beale
ART FAIRS
2023
2022
2022
Seattle Art Fair (Open Editions), Seattle, WA
UNTITLED Art (curated project), Miami Beach, FL
Seattle Art Fair (Open Editions), Seattle, WA
UNTITLED Art (curated project), Miami Beach, FL
Seattle Art Fair (Open Editions), Seattle, WA
2021
UNTITLED Art (curated project), Miami Beach, FL
2020
Expo Chicago (Open Editions), Chicago IL
Seattle Art Fair (Open Editions), Seattle, WA
Art on Paper NYC (Open Editions), New York, NY
Hamptons Art and Design (Open Editions), Hamptons, NY
Seattle Art Fair (Open Editions), Seattle, WA
Art on Paper NYC (Open Editions), New York, NY
Hamptons Art and Design (Open Editions), Hamptons, NY
2013
ArtPadSF (Steven Wolf Fine Arts), San Francisco, CA
2009
PULSE (Patricia Sweetow Gallery), Miami Beach, FL
WORKSHOPS
2017
Decoy Collection as part of Tools & Implements
de Young Museum, San Francisco, CA
de Young Museum, San Francisco, CA
2014
Survival Training Workshop as part of Bellwether
Southern Exposure, San Francisco, CA
Southern Exposure, San Francisco, CA
2013
The Attempt (Sno-Kone Quinzee) as part of The Temporary Institute of Emancipated Objects
Rocky Mountain College of Art + Design, Denver, CO
Rocky Mountain College of Art + Design, Denver, CO
2008
Public Interventions
Saint Mary’s College of California, Moraga, CA
Saint Mary’s College of California, Moraga, CA
SELECTED CURATORIAL PROJECTS
2023
2021
2021
THERE YOU ARE, but where are you?, Meany Center for the Performing Arts, Seattle, WA. Co-curated with Sangram Majumdar
PSA Miami, bus bench billboard series, Miami-Dade county, FL
PSA Miami, bus bench billboard series, Miami-Dade county, FL
2017
Deceptive Actions, de Young Museum, San Francisco, CA
2016
Mistaken Impressions, Root Division, San Francisco, CA
2015
Rummage, Open Source Gallery, Brooklyn, NY
2014
site_specific, Torrance Art Museum, Torrance, CA
Space for Rent, Castro & Market 24-Hour Gas Station, San Francisco, CA
Space for Rent, Castro & Market 24-Hour Gas Station, San Francisco, CA
2013
El Porvenir/What’s to Come, Mission Voices Summer, Southern Exposure, San Francisco, CA
2009
Retractions, Root Division, San Francisco, CA
2008
Decoy, LoBot Gallery, Oakland, CA. Co-curated with Ross Campbell
AWARDS, FELLOWSHIPS, RESIDENCIES
2023-24
Artist Fellow, Black Cube Nomadic Art Museum (upcoming)
2023
Downtown Arts Recovery Grant, Downtown Seattle Association/Municipal Improvement District in partnership with the Seattle Office of Arts & Culture, Seattle, WA
New Media Gallery Residency, Jack Straw Cultural Center, Seattle, WA
New Media Gallery Residency, Jack Straw Cultural Center, Seattle, WA
2019
Artist-in-Residence, Internet Archive, San Francisco, CA
Residency, LightSource SF, San Francisco, CA
Residency, LightSource SF, San Francisco, CA
2017
Artist-in-Residence, de Young Museum, San Francisco, CA
2016
National Artist-in-Residence, The Neon Museum, Las Vegas, NV
2012
Kress Project Award, Georgia Museum of Art, Athens, GA
2007
Travel Grant, College Art Association, New York, NY
2006
Gulnar Bosch Travel Award, Southeastern College Art Conference, Nashville, TN
ACADEMIC AWARDS,GRANTS, FELLOWSHIPS
2023-24
2022-23
2021-22
2021-25
2022-23
2021-22
2021-25
Royalty Research Fund (RRF) Scholar, University of Washington, Seattle, WA (upcoming)
Arts Faculty Fellowship, College of Arts and Sciences, Mellon Foundation/University of Washington, Seattle, WA
Mellon Faculty Fellow, Mellon Foundation/University of Washington, Seattle, WA
Hermine Pruzan Endowed Faculty Fellowship, School of Art, University of Washington, Seattle, WA
Arts Faculty Fellowship, College of Arts and Sciences, Mellon Foundation/University of Washington, Seattle, WA
Mellon Faculty Fellow, Mellon Foundation/University of Washington, Seattle, WA
Hermine Pruzan Endowed Faculty Fellowship, School of Art, University of Washington, Seattle, WA
2022
Native Knowledge Grant (funding to hire Arianne True as an IVA Lecturer), Center for American Indian & Indigenous Studies, University of Washington, Seattle, WA
2021
Kreielsheimer Grant for Research Grant for Research Excellence in the Arts, College of Arts and Sciences, University of Washington, Seattle, WA
Pandemic Instructional Funds, College of Arts and Sciences, University of Washington, Seattle, WA
Co-Sponsor, Student Technolgy Fee (STF) Grant, University of Washington, Seattle, WA
Pandemic Instructional Funds, College of Arts and Sciences, University of Washington, Seattle, WA
Co-Sponsor, Student Technolgy Fee (STF) Grant, University of Washington, Seattle, WA
2020-22
Course Development Grant, UW Arts and Creativity Initiative, Mellon Foundation/College of Arts and Sciences, University of Washington, Seattle, WA
2020
Wyckoff Milliman Endowment Grant, School of Art, University of Washington, Seattle, WA
Native Knowledge Grant (funding to hire Lena Tseabbe Wright as an IVA Lecturer), Center for American Indian & Indigenous Studies, University of Washington, Seattle, WA
Native Knowledge Grant (funding to hire Lena Tseabbe Wright as an IVA Lecturer), Center for American Indian & Indigenous Studies, University of Washington, Seattle, WA
2018
Wyckoff Milliman Endowment Grant, School of Art, University of Washington, Seattle, WA
2003-04
Dean’s Award Scholarship, Virginia Commonwealth University, Richmond, VA
SELECTED LECTURES/PANELS/GUEST VISITS
2023
Artist Talk, Montclair State University, Montclair, NJ
2020
Artist Talk + Grad Studio Visits, University of Delaware (via Zoom)
Lunchtime Faculty Talks, University of Washington (via Zoom)
Lunchtime Faculty Talks, University of Washington (via Zoom)
2018
Artist Talk, Florida State University, Tallahassee, FL
2017
Artist Talk: Object Cultures & Thing Theory, San Francisco State University, San Francisco, CA
Artist Talk, SMFA at Tufts University, Boston, MA
Artist Talk: Contemporary Practice, San Francisco Art Institute, San Francisco, CA
Artist Talk, SMFA at Tufts University, Boston, MA
Artist Talk: Contemporary Practice, San Francisco Art Institute, San Francisco, CA
2016
Artist Talk, The Neon Museum, Las Vegas, NV
2014
Panelist: Prep School, Torrance Art Museum, Torrance, CA
2013
Artist Talk, Workshop + Exhibition: Art Processes and Practices: Visiting Artists and Scholars
San Francisco State University, San Francisco, CA
Panelist: Beg, Borrow and Steal: Four Contemporary Views on Failure
Rocky Mountain College of Art and Design, Visiting Artist, Scholar & Designer Program, Denver, CO
San Francisco State University, San Francisco, CA
Panelist: Beg, Borrow and Steal: Four Contemporary Views on Failure
Rocky Mountain College of Art and Design, Visiting Artist, Scholar & Designer Program, Denver, CO
2012
Artist Talk: Visiting Artist Lecture Series, Sonoma State University, Rohnert Park, CA
Presenter: Presente, Presente, Presente!, Kadist, San Francisco, CA
Artist Talk: Advanced Photography, Mills College, Oakland, CA
Presenter: Presente, Presente, Presente!, Kadist, San Francisco, CA
Artist Talk: Advanced Photography, Mills College, Oakland, CA
2011
Artist Talk (work-in-progress): QNA Lab, Queens Nails Projects, San Francisco, CA
2010
Visiting Artist: Advanced Drawing, Dominican University, San Rafael, CA
Panelist: Conversations with Contemporary Artists: Photography,
Mid-America College Art Association/SECAC, Richmond, VA
Panelist: Conversations with Contemporary Artists: Photography,
Mid-America College Art Association/SECAC, Richmond, VA
2009
Artist Talk: Sculpture/Social Practice, University of California, Berkeley, Berkeley, CA
Panelist: Artists, Technology, Landscape, College Art Association, Los Angeles, CA
Artist Talk: Visual Translations, San Francisco Art Institute, San Francisco, CA
Panelist: Artists, Technology, Landscape, College Art Association, Los Angeles, CA
Artist Talk: Visual Translations, San Francisco Art Institute, San Francisco, CA
2008
Artist Talk: Sculpture/Social Practice, University of California, Berkeley, Berkeley, CA
Panelist: Artists, Technology, Landscape, College Art Association, Los Angeles, CA
Artist Talk: Visual Translations, San Francisco Art Institute, San Francisco, CA
Panelist: Artists, Technology, Landscape, College Art Association, Los Angeles, CA
Artist Talk: Visual Translations, San Francisco Art Institute, San Francisco, CA
2007
Artist Talk and Student Exhibition Organizer: Art and the City
Saint Mary’s College of California, Moraga, CA
Saint Mary’s College of California, Moraga, CA
2006
Presentation/Panelist: Zoom: Media Flooding and the Abstraction of Tragedy,
Mid-America College Art Association/SECAC Conference, Nashville, TN
Mid-America College Art Association/SECAC Conference, Nashville, TN
2004
Artist Talk: Beginning Video, University of Mary Washington, Fredericksburg, VA
ART EDITIONS
“Mourning Veils,” Open Editions, San Francisco, CA, 2020“Sirens,” Open Editions, San Francisco, CA, 2016
“DIY Survival Kit,” The Present Group, Issue 12, Fall, Oakland, CA, 2009
PUBLISHED WRITING
“Love Letter to Jeannene Przyblyski,” Variable West, March 8, 2022“Howard Fried: The Decomposition of My Mother’s Wardrobe at The Box,” Daily Serving, Dec. 17, 2014
Anna Novakov, ed. Twenty-four: Innovative Pedagogical Exercises for the Eco-Art Classroom, Moraga, CA: Center for Creative Pedagogy, St. Mary’s College of California, 2008 (contributor)
-
ARTIST PUBLICATIONS, COLLABORATIVELY AUTHORED
-V-E-N-T-R-I-L-O-Q-U-I-S-T- Issue 4: Persistence of Vision, Miami, FL, 2021 (editor/publisher)Box set of artist flipbooks designed by Lauren Frances Adams, Sofía Córdova, Javier Castro, Barry Noble Olusegun-Noble Despenza, Ellen Garvens, Rob Rhee, Leila Weefur, Lena Tseabbe Wright, Connie Zheng
-V-E-N-T-R-I-L-O-Q-U-I-S-T- Issue 3: One Hour Photo, San Francisco, CA, 2015 (editor/publisher)
Featuring a collection of (24) 4x6 photos by Allan deSouza, Siemon Allen, Wilfredo Prieto, J. John Priola, Marco Rios, Guy Overfelt, Zeina Barakeh, Christy Chan, Sean McFarland, Anne Colvin, Maria Dawn, Diane Derr, Humberto Diaz, Theresa Ganz, Aaron Harbour, Tessa Hughes-Freeland, Taraneh Hemami, David Janesko and Francis Menotti, Lucas T. McMahon, Bernardo Roman Palau and Virginia Samsel
-V-E-N-T-R-I-L-O-Q-U-I-S-T- Issue 2: Coloring Book, San Francisco, CA, 2015 (editor/publisher)
Featuring coloring pages by Linda Mary Montano, Nina Katchadourian, Mie Hørlyck Mogensen, Simon & Tom Bloor, Amir H. Fallah, Lordy Rodriguez, Adam Parker Smith, Martin Machado, Bonnie Collura, Crystal Liu, Josephine Taylor, Anthony Discenza, Alison Pebworth, Laura Hyunjhee Kim, Dmitri Obergfell, Weston Teruya, Ian Kimmerly and Tim Sullivan
-V-E-N-T-R-I-L-O-Q-U-I-S-T- Issue 1: Performance, San Francisco, CA, 2014 (editor/publisher)
Documents of performance by Brian Conley, Ana Teresa Fernandez, Bean Gilsdorf, Jeremiah Barber, Sergio De La Torre, Lindsey White, Hans Winkler, Tony Labat, Jennifer Locke, Wong Kit Yi, Helena Keefe and Martine Viale
SELECTED REVIEWS/ARTICLES/INTERVIEWS/PUBLICATIONS
Suzanne Ramljak, Loaded: Guns in Contemporary Art, Schiffer Publishing, 2022. 121.
Kim Beil, “An Act of Gathering: Whitney Lynn Interviewed by Kim Beil: A public artwork layers history and language,” BOMB Magazine, July 5, 2021.
Hall W. Rockefeller, “Women of the Pacific Northwest: Whitney Lynn,” less than half, June 29, 2020.
“What are the Artists Doing in Lockdown?” interview by Elif Bereketli, TRT World, May 20, 2020.
Tony Bravo, “Summer art experiences are mostly online, but some are slowly happening again in person, San Francisco Chronicle, June 20, 2020.
Charles Desmarais, “Sirens, Silencers, Mufflers, and Mutes,” San Francisco Chronicle, June 6, 2019.
Lara Shalson, Performing Endurance: Art and Politics since 1960, Cambridge University Press, 2018. 218.
Kathleen Dixon, “After the Fall,” San Francisco Chronicle, Jan. 8, 2017.
Sarah Hotchkiss, “Uplifting Art for Uncertain Times,” KQED Arts, Sept. 6, 2016.
Kristen Peterson, “Biblical Temptresses In Neon: San Francisco-Based Whitney Lynn Looks At Las Vegas In The Larger Context Of Time,” Las Vegas Weekly, June 29, 2016.
Fred Wasser, “Las Vegas: Glass Half Full Or Half Empty?,” KNPR RADIO, June 29, 2016.
Sarah Corsa, “Artist explores ‘industry of fantasy’ in Las Vegas,” Las Vegas Review-Journal, June 4, 2016.
Charles Demarais, “Make no mistake, catch latest Root Division exhibit,” San Francisco Chronicle, Jan. 27, 2016.
Kimberly Chun, “Mistaken Impressions’ explores the inspiration of trash,” San Francisco Chronicle, Jan. 6, 2016.
Amanda Dalla Villa Adams, “Change: ‘The Gold Standard’ examines the work of VCU graduates from the last 10 years,” Style Weekly, July 28, 2015.
Ray Mark Rinaldi, “Art that invites you to ‘play’ and see the world now,” The Denver Post, June 21, 2015.
Christian L. Frock, “De-Mobbing Invests in Different Futures at Headlands Center for the Arts,” KQED Arts, Feb 23, 2012.
Kara Q. Smith, “With Involuntary Sculptures,” ArtSlant, Jan. 10, 2012.
Bean Gilsdorf, “Intersections and Boundaries: Interview with Whitney Lynn,” Daily Serving, Jan 12, 2012.
Liz Glass, “The Lure of Disaster,” Artslant, Sept 20, 2011.
Matt Sussman, “Just Say No,” San Francisco Bay Guardian, Aug 8, 2011.
Michele Carlson, “Zombie-Proof House,” Art Practical, June 28, 2011.
Matt Sussman, “TV Eye: Anxiety of Influence and Bleak Portraiture,” SF Bay Guardian, May 3, 2011.
Liz Glass, “On the ‘Attempt’,” Artslant, May 3, 2011.
Aimee Le Duc, “God Only Knows Who The Audience Is,” KQED Arts, May 3, 2011.
Matt Sussman, “Totally wired,” San Francisco Bay Guardian, Sept 14, 2010.
Kenneth Baker, “‘Bellwether’ is Southern Exposure’s latest,” San Francisco Chronicle, Oct. 17, 2009.
Nirmala Nataraj, “‘Bellwether’: Uncertainty’s artistic promise,” San Francisco Chronicle, Oct. 15, 2009.
Hiya Swanhuyser, “Under Exposure’s Spell,” SF Weekly, Oct. 15, 2009.
Traci Vogel, “Harpoons and Harbingers,” SF Weekly, Aug. 31, 2009.
David Buuck, “‘Retractions’ at Root Division,” Artweek, March, 2009.
Victoria Gannon, “Retractions,” KQED Arts, Jan. 17, 2009.
Mary Eisenhart, “Last chance: ‘Retractions’,” SF Chronicle, Jan. 15, 2009.
Rebekah Drysdale, “Whitney Lynn,” Daily Serving, Aug. 14, 2008.
Rachel Swan, “Critics Choice: Shape,” East Bay Express, Feb. 20. 2008.
Lea Feinsten, “Terror?,” SF Weekly, Oct. 25, 2006.
Steven L. Jones, “Loud and Clear: Finally, an art show gets political,” Style Weekly, Sept. 29, 2004.
Kim Beil, “An Act of Gathering: Whitney Lynn Interviewed by Kim Beil: A public artwork layers history and language,” BOMB Magazine, July 5, 2021.
Hall W. Rockefeller, “Women of the Pacific Northwest: Whitney Lynn,” less than half, June 29, 2020.
“What are the Artists Doing in Lockdown?” interview by Elif Bereketli, TRT World, May 20, 2020.
Tony Bravo, “Summer art experiences are mostly online, but some are slowly happening again in person, San Francisco Chronicle, June 20, 2020.
Charles Desmarais, “Sirens, Silencers, Mufflers, and Mutes,” San Francisco Chronicle, June 6, 2019.
Lara Shalson, Performing Endurance: Art and Politics since 1960, Cambridge University Press, 2018. 218.
Kathleen Dixon, “After the Fall,” San Francisco Chronicle, Jan. 8, 2017.
Sarah Hotchkiss, “Uplifting Art for Uncertain Times,” KQED Arts, Sept. 6, 2016.
Kristen Peterson, “Biblical Temptresses In Neon: San Francisco-Based Whitney Lynn Looks At Las Vegas In The Larger Context Of Time,” Las Vegas Weekly, June 29, 2016.
Fred Wasser, “Las Vegas: Glass Half Full Or Half Empty?,” KNPR RADIO, June 29, 2016.
Sarah Corsa, “Artist explores ‘industry of fantasy’ in Las Vegas,” Las Vegas Review-Journal, June 4, 2016.
Charles Demarais, “Make no mistake, catch latest Root Division exhibit,” San Francisco Chronicle, Jan. 27, 2016.
Kimberly Chun, “Mistaken Impressions’ explores the inspiration of trash,” San Francisco Chronicle, Jan. 6, 2016.
Amanda Dalla Villa Adams, “Change: ‘The Gold Standard’ examines the work of VCU graduates from the last 10 years,” Style Weekly, July 28, 2015.
Ray Mark Rinaldi, “Art that invites you to ‘play’ and see the world now,” The Denver Post, June 21, 2015.
Christian L. Frock, “De-Mobbing Invests in Different Futures at Headlands Center for the Arts,” KQED Arts, Feb 23, 2012.
Kara Q. Smith, “With Involuntary Sculptures,” ArtSlant, Jan. 10, 2012.
Bean Gilsdorf, “Intersections and Boundaries: Interview with Whitney Lynn,” Daily Serving, Jan 12, 2012.
Liz Glass, “The Lure of Disaster,” Artslant, Sept 20, 2011.
Matt Sussman, “Just Say No,” San Francisco Bay Guardian, Aug 8, 2011.
Michele Carlson, “Zombie-Proof House,” Art Practical, June 28, 2011.
Matt Sussman, “TV Eye: Anxiety of Influence and Bleak Portraiture,” SF Bay Guardian, May 3, 2011.
Liz Glass, “On the ‘Attempt’,” Artslant, May 3, 2011.
Aimee Le Duc, “God Only Knows Who The Audience Is,” KQED Arts, May 3, 2011.
Matt Sussman, “Totally wired,” San Francisco Bay Guardian, Sept 14, 2010.
Kenneth Baker, “‘Bellwether’ is Southern Exposure’s latest,” San Francisco Chronicle, Oct. 17, 2009.
Nirmala Nataraj, “‘Bellwether’: Uncertainty’s artistic promise,” San Francisco Chronicle, Oct. 15, 2009.
Hiya Swanhuyser, “Under Exposure’s Spell,” SF Weekly, Oct. 15, 2009.
Traci Vogel, “Harpoons and Harbingers,” SF Weekly, Aug. 31, 2009.
David Buuck, “‘Retractions’ at Root Division,” Artweek, March, 2009.
Victoria Gannon, “Retractions,” KQED Arts, Jan. 17, 2009.
Mary Eisenhart, “Last chance: ‘Retractions’,” SF Chronicle, Jan. 15, 2009.
Rebekah Drysdale, “Whitney Lynn,” Daily Serving, Aug. 14, 2008.
Rachel Swan, “Critics Choice: Shape,” East Bay Express, Feb. 20. 2008.
Lea Feinsten, “Terror?,” SF Weekly, Oct. 25, 2006.
Steven L. Jones, “Loud and Clear: Finally, an art show gets political,” Style Weekly, Sept. 29, 2004.
UW SCHOOL OF ART + ART HISTORY + DESIGN SERVICE
2023-24
(scheduled)
(scheduled)
Chair, Interdisciplinary Visual Art
Search Chair, Tenure-Track Search: Assistant Assistant Professor in Interdisciplinary Visual Art
Search Chair, Tenure-Track Search: Assistant Assistant Professor in Interdisciplinary Visual Art
2022-23
Chair, Interdisciplinary Visual Art
Committee Member, 5 Year Hiring Plan, School of Art, University of Washington
Collegial Evaluation: Curt Labitzke, Associate Professor, IVA
Collegial Evaluation: Flint Jamison, Associate Professor, Photo/Media
Committee Member, 5 Year Hiring Plan, School of Art, University of Washington
Collegial Evaluation: Curt Labitzke, Associate Professor, IVA
Collegial Evaluation: Flint Jamison, Associate Professor, Photo/Media
2021-22
Chair, Interdisciplinary Visual Art
Search Committee Member: IVA Instructional Technician, full-time staff position
Search Committee Member: Photo/Media Instructional Technician, full-time staff position
Committee Member, 590 Graduate Committee (curriculum planning)
Committee Member, Jacob Lawrence Gallery Committee
Organizer, IVA Open House/Exhibition Event + Fundraiser
Organizer, Visiting Artist Talks: Cathy Lu, fabian romero, Jia Jia and Chris Martin
Co-Sponsor, RYAN! Federson campus visit (funded by Native Knowledge grant and IVA, Photo/Media programs)
Search Committee Member: IVA Instructional Technician, full-time staff position
Search Committee Member: Photo/Media Instructional Technician, full-time staff position
Committee Member, 590 Graduate Committee (curriculum planning)
Committee Member, Jacob Lawrence Gallery Committee
Organizer, IVA Open House/Exhibition Event + Fundraiser
Organizer, Visiting Artist Talks: Cathy Lu, fabian romero, Jia Jia and Chris Martin
Co-Sponsor, RYAN! Federson campus visit (funded by Native Knowledge grant and IVA, Photo/Media programs)
2020-21
Co-Chair, Interdisciplinary Visual Art
Co-Chair, Health and Safety Committee
Collegial Evaluation: Robert Rhee, Assistant Professor, IVA
Collegial Evaluation: Michael Swaine, Assistant Professor, 3D4M
Committee Member, School of Art MFA Thesis (3D4M): Jia Jia
Committee Member, School of Art MFA Thesis (Painting + Drawing): Quinn McNichol
Committee Member, School of Art MFA Thesis (Painting + Drawing): Xiaoyi Gao
Presenter, Lunch and Conversation Artist Talk, organized by SoAAHD with CAS Advancement
Organizer: Visiting Artist Talks (virtual): Zarouhie Abdalian, Sofía Córdova, Nkiruka Oparah and Wessam Al-Badry
Co-Chair, Health and Safety Committee
Collegial Evaluation: Robert Rhee, Assistant Professor, IVA
Collegial Evaluation: Michael Swaine, Assistant Professor, 3D4M
Committee Member, School of Art MFA Thesis (3D4M): Jia Jia
Committee Member, School of Art MFA Thesis (Painting + Drawing): Quinn McNichol
Committee Member, School of Art MFA Thesis (Painting + Drawing): Xiaoyi Gao
Presenter, Lunch and Conversation Artist Talk, organized by SoAAHD with CAS Advancement
Organizer: Visiting Artist Talks (virtual): Zarouhie Abdalian, Sofía Córdova, Nkiruka Oparah and Wessam Al-Badry
2019-20
Interim Chair, Interdisciplinary Visual Art
Search Committee Member, Assistant Professor in Interdisciplinary Visual Art
Committee Member, Jacob Lawrence Gallery Committee
Collegial Evaluation: Rebecca Cummins, Professor, Photo/Media
Search Committee Member, Assistant Professor in Interdisciplinary Visual Art
Committee Member, Jacob Lawrence Gallery Committee
Collegial Evaluation: Rebecca Cummins, Professor, Photo/Media
2018-19
Organizer/Faculty Sponsor, MFA Exchange Exhibition with San Francisco Art Institute at Fort Mason Center for the Arts + MFA student trip to San Francisco
Committee Member, Jacob Lawrence Gallery Committee
Participant, Programming and Partnership Opportunities Identification: Edgar Arceneaux, Henry Art Gallery, Seattle, WA
Organizer, site-responsive student exhibition at the historic ASUW Shell House
Committee Member, Jacob Lawrence Gallery Committee
Participant, Programming and Partnership Opportunities Identification: Edgar Arceneaux, Henry Art Gallery, Seattle, WA
Organizer, site-responsive student exhibition at the historic ASUW Shell House
UW COLLEGE OF ARTS & SCIENCES SERVICE
2023-24
Faculty Participant, Dean’s Academy Futurists, Rethinking the Academy initiative
Key Organizer, Minoritarian Performance Research Cluster
Primary Project Liason: Jasmine Mahmoud, Assistant Professor, School of Drama
Faculty Liaison, Pathways for All Huskies, Husky Seed Fund
Wayfinding project intended to enhance campus inclusivit and accessibility. Led by Tiffany-Ashton Gatsby, PhD candidate in Sociocultural Anthropology, Jennifer Perkins, PhD candidate in Nursing, and Carolann Streett, MEd candidate in Early Childhood Special Education
Key Organizer, Minoritarian Performance Research Cluster
Primary Project Liason: Jasmine Mahmoud, Assistant Professor, School of Drama
Faculty Liaison, Pathways for All Huskies, Husky Seed Fund
Wayfinding project intended to enhance campus inclusivit and accessibility. Led by Tiffany-Ashton Gatsby, PhD candidate in Sociocultural Anthropology, Jennifer Perkins, PhD candidate in Nursing, and Carolann Streett, MEd candidate in Early Childhood Special Education
2023
Dance MFA Supervisory Committee Member: Gary Champi
2022
Dance MFA Supervisory Committee Member: Roel Seeber
Independent Study (Dance MFA), ART 600: Alia Swersky
Independent Study (Dance MFA), ART 600: Roel Seeber
Independent Study (Dance MFA), ART 600: Alia Swersky
Independent Study (Dance MFA), ART 600: Roel Seeber
2020
Mentor, PhD Candidate in College of Built Environments: Amy Thornton
Independent Study (School of Medicine), ART 600: Tomás Narvaja
Independent Study (Dance MFA), ART 600: Sarah Lisette Chiesa
Dance MFA Supervisory Committee Member: Sarah Lisette Chiesa
Course Development for Non-Majors, Art 200: Artist Mindset (Mellon-funded)
Independent Study (School of Medicine), ART 600: Tomás Narvaja
Independent Study (Dance MFA), ART 600: Sarah Lisette Chiesa
Dance MFA Supervisory Committee Member: Sarah Lisette Chiesa
Course Development for Non-Majors, Art 200: Artist Mindset (Mellon-funded)
UW UNIVERSITY SERVICE
2023-24
(scheduled)
(scheduled)
Faculty Host/Nominator: Paul Chan, Walker Ames Endowed Lecturer, Graduate School Lecture Series
2022-2023
Public Art Selection Committee Member, Public Art: Interdisciplinary Engineering Building (IEB), ArtsWA in partnership with University of Washington
2022
Peer Reviewer: Royalty Research Fund (RRF)
2020
2019
2019
Independent Study (Landscape Architecture MLA), ART 498: Michelle Kimberly Woo
Peer Reviewer: Royalty Research Fund (RRF)
Peer Reviewer: Royalty Research Fund (RRF)
SELECTED COMMUNITY SERVICE
2023-24
Co-Curator, Meany Center for the Performing Arts, Seattle, WA
2019-21
Public Art Selection Panelist, E Marginal Way, Office of Arts and Culture, City of Seattle
2022
Peer Reviewer, College Art Association Art Journal Open: “Toward a Reparative Pedagogy, Art as Trigger, Art as Repair,” Aliza Shvartz
Interviewer, Jack Straw New Media Podcast (conversation with Chanee Choi)
Interviewer, Jack Straw New Media Podcast (conversation with Chanee Choi)
2019-21
Board Member, Port of Seattle Art Oversight Committee
TEACHING
University of Washington
Courses taught (existing):
ART 131: Alternative Approaches to Art/Design
ART 246: Works on Paper
ART 280: Media, Time, Technology Art
ART 340: Advanced Photo/Media
ART 400: IVA Senior Studio
ART 458: Alternative Approaches to Drawing
ART 498: Individual Projects
ART 590 Interdisciplinary Graduate Critique Seminar
ART 600: Independent Study/Research
ART 246: Works on Paper
ART 280: Media, Time, Technology Art
ART 340: Advanced Photo/Media
ART 400: IVA Senior Studio
ART 458: Alternative Approaches to Drawing
ART 498: Individual Projects
ART 590 Interdisciplinary Graduate Critique Seminar
ART 600: Independent Study/Research
Courses taught
(new course added to curriculum) :
(new course added to curriculum) :
ART 200: Artist Mindset
ART 285: Intro to New Genres
ART 360: Special Topic: Alternative Contexts
ART 360: Speical Topic: Collaborative Approaches
ART 360: Special Topic: Installation
ART 360: Special Topic: Readymades/Remakes/Remixes
ART 375: Interdisciplinary Visual Art Seminar
ART 421: Time-Based Art
ART 460: Advanced Special Topics
ART 485: Site-Responsive Interventions
ART 285: Intro to New Genres
ART 360: Special Topic: Alternative Contexts
ART 360: Speical Topic: Collaborative Approaches
ART 360: Special Topic: Installation
ART 360: Special Topic: Readymades/Remakes/Remixes
ART 375: Interdisciplinary Visual Art Seminar
ART 421: Time-Based Art
ART 460: Advanced Special Topics
ART 485: Site-Responsive Interventions
University of California, Berkeley
Courses taught:
ART 138: Temporal Structures: Video and Performance Art
ART 180: Advanced Digital Photography
ART 180: Advanced Digital Photography
San Francisco Art Institute
Courses taught
(existing) :
(existing) :
NG-101: New Genres I
NG-201: New Genres II
NG-204: Installation
NG-206: Photoworks: Conceptual Photography
GR-580: Graduate Tutorial
CP-100-05: Contemporary Practice
NG-201: New Genres II
NG-204: Installation
NG-206: Photoworks: Conceptual Photography
GR-580: Graduate Tutorial
CP-100-05: Contemporary Practice
Courses taught
(new course added to curriculum):
(new course added to curriculum):
NG-220: Art-by-Instruction: Fabrication/Collaboration
NG-220 Art “Outside”
NG-220: The Temporary: Performance, Interventions, Installation
NG-241: Issues in Contemporary Art: Politics of Representation
GR-550: Alternative Contexts: Artists’ Publication
HTCA-220: Shock Me (If You Can)
HTCA-220: Selfie: Self Representation in Contemporary Art
NG-220 Art “Outside”
NG-220: The Temporary: Performance, Interventions, Installation
NG-241: Issues in Contemporary Art: Politics of Representation
GR-550: Alternative Contexts: Artists’ Publication
HTCA-220: Shock Me (If You Can)
HTCA-220: Selfie: Self Representation in Contemporary Art
Stanford University
Courses taught:
ARTSINST 200A, 200B, 200C: Interdisciplinary Arts Capstone Workshop
(three course sequence)
(three course sequence)
University of San Francisco
Courses Taught:
ART 103: Drawing for Non-Majors
ART 155: Visual Communication I
ART 205: Typography
ART 155: Visual Communication I
ART 205: Typography
Sonoma State University
Course taught:
ARTS 301: Intermediate Digital Photography
Saint Mary’s College of California
Courses taught:
ART 001: Studio Art
ART 113: Advanced Design
ART 302: Advanced Painting
ART 113: Advanced Design
ART 302: Advanced Painting
University of the Pacific
Courses taught:
ARTS 077: Graphic Design: Visual Perception
ARTS 079: Introduction to Typography
ARTS 079: Introduction to Typography